Well, here is the finished colored pencil version of the Old Barn Window. I broke a number of “rules” in doing this piece, and I’m very glad that I did. I really like how the wood turned out. I like how the stonework turned out as well. I’m not so crazy about the plants in the foreground, but I do know how I would do those differently in the future, so that’s a good thing. All in all this was not only a very relaxing project, but it was a great learning experience as well. Next I’ll be tackling this barn window in graphite!
There’s something about bare winter trees that I just love, and this landscape (done from this tutorial at TheVirtualInstructor.com) captured my attention. I’ve been wanting to try it for quite some time and finally dove in a few days ago. I just finished and wanted to share the results, as well as some of the process, with you.
This might sound silly, but the more I art (as my husband and our son say), the more I realize just how important the process of creating is for my emotional well-being. I love finishing a project, but while I’m working on it I find myself in a very special place – a place of quiet and peace where I can lose myself in the colors, in the forms, and in the subject. I can feel myself calm down and slip into “the zone.” Once I’m in the zone everything is good and all that matters is the process and the act of creating. Even after I’ve finished a piece the calm stays with me and I look forward to starting again – choosing the right paper, the right subject, the right media, the right colors.
I would like to invite you to try your hand at “arting” even if you don’t think you know how or don’t think you can. If you have a pen and paper, if you have a can of Play-Doh, if you have markers and coffee filters (yes, really) you can art. Tap into your creativity and see where it will take you!
I can be easily distracted, especially by colorful, shiny things. When it comes to my art I can get distracted as well. I can get so caught up in trying to find the right tint or the right value for something that the fun just sort of fades away and the art becomes a chore. That doesn’t leave me in a very happy place. So the other night I grabbed a piece of colored pencil paper and my graphite art pencils and had a little fun.
My husband likes barns and I’ve been trying to draw him a nice barn for a while now. I’ve tried pastel pencils, soft pastels, and colored pencils, but the outcomes have been less than what I would have liked. It seems I just needed to keep it simple, stupid!
By using graphite I was able to concentrate on the subject, on the light, on the shadows, and not get caught up in tints and trying to blend colors properly. Don’t get me wrong. I love bringing color to my art, but sometimes simplicity should rule the day. Life is filled with enough frustration. Why bring that to our art?
Here’s the finished barn sketch. Unfortunately I didn’t realize until I was well into the piece that the paper had some scoring on it. I was so excited to get started I didn’t even think to check for that. But my husband loves it, and so do I. When I look at it not only do I see a barn and silo, I also see simplicity and the freedom it can bring.
You can find my paintings at Smurgles Art!
Here’s another marsh pastel that I finished a couple of weeks ago. I’m really enjoying the reflections in the water. I hope you are too!
You can find my paintings at Smurgles Art!
I got this painting done yesterday. I’m still trying to make peace with Canson Mi Teints paper. I think we’re actually coming to a mutual understanding, more or less. My next piece is going to be on Pastelmat. We shall see how that goes, but for now here is Fading Summer – 8 x 10, soft pastels.
You can find this and all my paintings at Smurgles Art!
This morning I did something that I’ve been wanting to do for a while now. I fixed a painting that was just wrong. The perspective was wrong, well, more like non-existent. Originally I had wanted to paint three snow-covered mountains, so I put in a sky and I put in the mountains. The problem was I had no clue what to put in the foreground. I taped the painting to the wall and have been staring at it for months. This morning I took it down and got busy fixing it.
I knew I needed something in the foreground that would put things in proper perspective. The mountains needed to be pushed way back, so that they looked like mountains and not little hills. I decided to add trees and a snowy path to help achieve my goal. While it worked rather nicely I did end up losing one of the mountains entirely, as well as covering up a good deal of the other two, but I can’t complain. I learned a great deal from this and am looking forward to doing another mountain scene – this time with proper planning and perspective from the get go!
A few days ago I did a mini painting of Mirror Lake from a photo my son had taken about ten years ago – Learning So Much From So Little. Today I wanted to try doing the same scene only a bit bigger. This one is 5 x 7 inches done in pastel pencil on Strathmore Colored Pencil paper. I wanted to try the colored pencil paper not only to check out the surface with pastels, but I have a ton of it. I’m very pleased with the results. I hope you like it, too!